You are lucky if you have one or two epiphanies in your life, particularly a creative one.

I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.

I want to be made better personally. That is the gig.

At a fundamental level photography is much like pointing, and all of us occasionally point at things: look at that, look at that sailboat, look at that tree, etc. etc.

In the history of photography, one process has always replaced another. The tumultuous realignment that's going on in the photography now is really just a natural evolution. The irony is that none of the processes that have been replaced have disappeared. More people than ever are practicing every approach to shooting and printing.

The raw materials of photography are light and time and memory.

I like to work in the real world, so I do a lot of searching or just simple looking. But I'm not above tweaking reality and making something up. I don't think there are any rules in art. It's not so much what you see as it is the significance you, the artist, see in it.