I don't think science is necessarily incompatible with mystical or spiritual sensibilities. I often weigh them equally in my thinking, which sometimes finds itself into the work.

I love the history of photography and one process has always replaced another. However, very, very few have disappeared.

I don't just look at the thing itself or at the reality itself; I look around the edges for those little askew moments-kind of like what makes up our lives-those slightly awkward, lovely moments.

The full weight and mystery of your art rests upon your relationship to your subject matter.

I want to be made better personally. That is the gig.

Your ideas come out of the way you conduct your life.

I'm fond of implied narratives, oblique angles, and leaving a little room for the viewer to finish a picture.