I rarely assess live shows after I play them.

I love collecting; my joy is finding private press American or European home studio electronic music from the 60s and 70s.

I rarely assess live shows after I play them.

The computer does things that can't be done with hardware, like freezing sounds.

Records can ruin you. That's why it's important to be as intimately familiar as possible with the history of recorded music, I guess. In a way, it's an argument for record collecting.

I see someone play, or I listen to a record, and I think, "How did they make that sound?' It's not emulation; it's more building a vocabulary that can be called up at a moment's notice.

I became this guy that does drum programming, and I don't want to be that guy anymore. I don't want to sit in front of my computer for 18 hours programming 16 bars of music.