I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

I love horror comedies, and I love horror movies. In particular, I love horror movies from the '80s that have practical monsters in them. They're not just slasher movies with people going to kill people in people's houses. I do like these ridiculous monster movies. They're scary, but they're absurd. I had a lot of fun in my 20's, watching a lot of these movies late at night.

You have to tap into the child in you. If you can get to that innocent place, then you're golden. That was the subconscious goal for me.

The beauty of shooting on something that's not in front of an audience is that you can just cut out the times you're laughing. You can cut to the other person and try to use that moment, right before you break. There's an energy to those performances. There's a reason people were laughing. There was something very special. That little extra something was in that line delivery or in that improv, so you try to use that stuff.

I need to try to get a lot of things going 'cause you never know what's gonna hit.

One of the things I would love to do is Axe Cop, which is a comic book. I would like to be involved in Axe Cop someday. I would also love to be in a Western.

The best way to do comedy is to not filter yourself, and then you could always fix it later. You want to be able to push the envelope.