This indie rock stuff, I mean I like it, too - it pushes all my buttons: sex appeal, dissonance. It's emotive, disenchanted.

We weren't straight-A students. We didn't start playing until we were teenagers, and we started playing rock and roll and punk rock - power chords - before we ever thought we would play folk music. So virtuosity was just never in my reach.

I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.

I think it is good for people who are incarcerated or who are bound up one way or the other-people like Lily Kimball and all the prostitues of Memphis. This gal, she needs some wings, and a good song can make that happen.

It’s bound to be one hell of a steel wheelin, railroadin good time…while the western country rolls by and the smoke rises blacker than musical notes pouring out of that stoked-up-and-chuggin iron chariot.

I didn't grow up on the porch of a cabin looking out over the 90 acres that the mule was plowing with Paw-Paw playing the banjo. But I was always interested in folk music.

Country music is the combination of African and European folk songs coming together and doing a little waltz right here in the American south. They came together at some cotillion, and somebody snuck a black person into the room, and he danced with a white lady, and music was born.