I think that that's important as a fledgling creator to generate your own work because it's hard to get people to hire you for a myriad of reasons. You have to be able to generate your own work and show that it has legs and that it's viable.

In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.

Just looking at me, I am a Black man. Born and bred, through and through. But I am also a lot of things. I am a father. I am a husband. I am a Christian. I am a comic book geek and I'm a creator.

Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.

When I walk in the door sometimes, I'm already an anomaly. Because I'm working in a genre that African-American's don't typically engage in.

Writers are generally anonymous. It just that I think I got out there because I also act as well and put myself in my films.

Usually writers are behind the scenes. Like a lot of people don't know that the cat who created Final Destination is a brother, Jeffrey Reddick.