In terms of viewing the world in a certain way, when you're talking about monsters and talking about the metaphor that you're trying to create, as Black Americans, you oft times stand apart and you have to look at things from the inside out or the outside in.

As a fan of science fiction and as a kid who loves monsters, science fiction movies and this, that and the other, there's no real way to make a career out of that. Especially when I grew up.

Frankenstein can be a metaphor for abandonment, or wanting to be accepted for who you are, or not liking who you are and wanting to actually change that.

I think that that's important as a fledgling creator to generate your own work because it's hard to get people to hire you for a myriad of reasons. You have to be able to generate your own work and show that it has legs and that it's viable.

Usually writers are behind the scenes. Like a lot of people don't know that the cat who created Final Destination is a brother, Jeffrey Reddick.

Writers are generally anonymous. It just that I think I got out there because I also act as well and put myself in my films.

When I walk in the door sometimes, I'm already an anomaly. Because I'm working in a genre that African-American's don't typically engage in.