HartBeat Productions is a company established by me; it's mine. I run it. I have employees.

I think poetry can be a kind of secular way in which people can be led to approach the difficult parts of their life, where there's been loss, where there's sadness of a deep kind. If poetry can help people to be more at ease in expressing even to themselves a lot of the darkness and pain of ordinary human existence, then it's serving some kind of cultural role, perhaps more than a cultural role, perhaps it is serving something of a spiritual role.

The racehorses assemble at the starting barrier in all the finery of a mediaeval pageant, the jockeys in silks like figures from a Tarot pack, the bookies in leather and tweeds standing beside their boards each confident that the future has been controlled.

People don't want drama 365 days a year. I'm a sense of relief; it's my job to take your mind off what's bad for that brief second you're in the room with me, regardless of shape, race, colour or anything. It brings people together, and it makes me feel good about what I'm doing.

I don't have to change anything. I think that's the secret to comedy. You want to be universal and appeal to everyone. You want to put yourself in a position that no matter what you're talking about, everyone can relate to it and understand it, because it's an experience that everyone can go through. That's what I pattern my writing material and jokes after. I'm trying to maintain a level of realness that my fans can appreciate.

I ain't never called nobody no redskin. I've never been mad, like, 'Get out of this restaurant, you redskin.'

Men are like lions. We hunt.