In reality, there's a limit to putting a record out yourself. When it comes to working with major record companies in the context of them owning anything, though, that will never happen. Ever. In my life.

I love when things bend out of shape. That's why I love drum and bass music.

When I was a teenager, I learned that in order to play guitar like Johnny Ramone, it takes a huge amount of physical effort.

Most people just give up with time and go, "I'm a victim." The only reason I've got the reputation for delays and spending a long time on things is because I just don't stop.

I don't have a role model, but I certainly have always enjoyed Neil Young. I had the great pleasure and opportunity to watch him from the side of the stage on a couple of occasions, and his on-stage sound is incredible.

We've had incredibly huge obstacles in our way - no tapes, no royalties, no cooperation on any level - and we sort it out.

The technical reason why remastering is valuable is because, up to around the late 90s, there was this endpoint called zero, and you couldn't get louder than zero.