Michael Bealmear is a philanthropist, and he has become interested in the issue of refugees, and he proposed that we do an event in his community, where we could dedicate an entire evening focused on the global refugee crisis, focused primarily on Afghanistan.

Soon, he would become an adult. And when he did, there would be not going back because adulthood was akin to what his father had once said about being a war hero: one you became one, you died one.

I get daily e-mails from Afghans who thank me for writing this book [The Kite Runner], as they feel a slice of their story has been told by one of their own. So, for the most part, I have been overwhelmed with the kindness of my fellow Afghans.

I’ll die if you go. The Jinn will come, and I’ll have one of my fits. You’ll see, I’ll swallow my tongue and die. Don’t leave me, Mariam jo. Please stay. I’ll die if you go.

I entered the literary world, really, from outside. My entire background has been in sciences; I was a biology major in college, then went to medical school. I've never had any formal training in writing. So what I know about writing, I know from my own instincts, and whatever the narrative voice is in my own head.

It was the kind of love that, sooner or later, cornered you into a choice: either you tore free or you stayed and withstood its rigor even as it squeezed you into something smaller than yourself.

it always hurts more to have and lose than to not have in the first place.