I wrote and concepted 99% of the ideas for Crash Landing and we reached out to a lot of different popular producers like Jahlil, KE, Kajmir Royale, Hit-Boy etc.
Kid InkIt was a proud moment in giving me the confidence, that I was 'stamped' in the offices as much, you know, as I would get from the streets. To where it's like I'm getting the love from the streets and from the people in the building - and that's kinda dope.
Kid InkI still let myself be a fan of music and that motivates me to want to be better than certain people or just getting the same love. Nothing is new under the sun so you cant be afraid to take things from others and try to flip them and make them your own at the end of the day.
Kid InkIt just inspires me to release an album and know that I can work on a core fanbase. The grind: Just make good music and it translates.
Kid InkI had to figure out what to make for myself as an artist. As a producer you make stuff for all kinds of different people. I was making beats for other artists but not for myself. It was kind of weird.
Kid InkI haven't talked to [Sterling Simm] personally about the situation. We did a couple retweets to make some noise and get a little feedback, but I would definitely consider it. When we had our session for the "All I Know" collaboration he played me a number of records, one being "All These", that were crazy.
Kid Ink