There's a confidence that comes from youth and not knowing better.

There are very few films that I've ever seen in my life that would be as silent or vacant as something like Jeremiah Johnson, and that to me was unbelievably captivating. You can see the same about [The Outlaw] Josey Wales: there's very little dialogue, and yet it contains such a deep, rich story. I've always thought of the western as American storytelling at its best.

I think when you get the opportunity to work with someone like Lars Von Trier... I mean, Alexander Skarsgård, Charlotte Rampling, John Hurt, just to work with those actors, you take that opportunity when you get it.

Some days I'm in better control and can navigate my way through stuff, and other days, not so much.

Commander I believe in God and his son Jesus Christ and because I do I can say this. Private Santiago is dead and that is a tragedy. But he is dead because he had no code. He is dead because he had no honor. And God was watching.

I think one of the things I was most interested in finding out was how differently we approached our work. And my reality was that we didn't approach it very differently at all, which was funny.

I've always traveled with a picture of my daughter from 1989, her kindergarten school picture, that has 'I love you, Daddy' written on it. She's always made fun of me because I never changed that picture out. It's like my resistance to her getting older. It was the first thing she'd ever written to me and it means the world to me.