When I saw Virginia Woolf, somewhere between the first and second acts, someone I had known as my mother became somebody else.

My focus on 9/11 was on the victims - in the towers, in the planes - and all that loss.

The father-son thing, that's a separate thing. This film [Forsaken] was not about that. This was a film about two actors wanting to try and tell a story... and taking advantage of the fact that we looked like a father and son.

What I ended up doing was kind of crafting an idea for a story, presenting it to a writer - a dear friend of mine, Brad Mirman - and he ended up writing a beautiful script. I should've done that a lot earlier.

I just always liked the company. The people who hung around her were amazing storytellers, whether it was actors or crew. They were just exciting people. And I knew that they were different when I would go see a friend or stay at someone else's house. It just wasn't as cool. So I always loved the theater, and that's where I started: at a theater up in Canada.

I've made films that I've given all I had to, that no one has seen. The bottom line is I want to work and I want someone to enjoy it.

When you're a young actor you like to go for characters with a bit of flair, so in many films I ended up playing the weirdos. But I can assure you I'm not a psycho or a criminal or a bully.