All my album artwork is body painting.

My process is to be by myself when I record. It's quite an emotional performance to pull off when someone else is in the room. I prefer to go away and have my own time with it, bring it in later.

It feels like it's just starting in America and the UK. It's great to have a loyal fanbase in Australia and New Zealand. People in America say how polished our band are, but that didn't happen overnight; that came from doing all this touring back home.

I feel far more connected to the whole band if I can somehow physically respond... with my body.

When you work on an album for three and a half years, you're kind of ready for it to get out there. To have your songs reach people.

I guess there might come a point when I will want to live an anonymous life. I'm only at the start of my career, so I'm sure that moment will come, but I know how blessed I am to have this platform on which to speak and influence.

Music is my catharsis for that. It's an incredible blessing that I have this way of expressing myself through music and lyric, and I'm so grateful for that in moments of pain or of suffering - that I have this means of channeling it; it's really amazing. My band as well - having them around and being able to jump on stage and bond together and share that energy is really uplifting as well.