All my album artwork is body painting.

I want to be the kind of artist who keeps pushing on every album. I don't want to settle on a sound.

Just try to keep the heart turned outward, as well as having moments inward. I think the threat of an industry like this is that you can become sort of self-obsessed. There's so much praise being given to you - there's a real threat of exalting the ego.

It's a really cool time for artists who want to strive for a little more depth in what they want to say to come forward. We live in a very fast world right now. We've got all this media and music which is so accessible to us, it's here one minute gone the next.

Just try to keep the heart turned outward, as well as having moments inward.

I moved from New Zealand to Melbourne when I was 17. I'd planned to go to university to study French, but I was offered a contract to write and record an album that was too good to pass up. Looking back now I think that was pretty young but, at the time, I was ready to have an adventure.

When people ask that question, it's very hard to nail down a formula or a circumstance that I always write in, but I definitely do believe that there have been moments, musically, when I have channeled something, you know?