So many teen films are overproduced and people are going to burnout on the subject.

I think that certain directors are better at choosing actors that match well with each other. And I have feelings about actors and who I think I'd work well with better moreso than others.

The best scripts I read are usually pretty - they move really quickly, there's not a lot of exposition in between all of what's happening, so you can really just flow with the lines, and you're reading and it has a momentum and you understand it emotionally.

I think that everybody in life probably goes through obstacles at different times in life. I wouldn't really call them obstacles, I think that's just called growing up, and I think it's hard to be in the industry at such a young age

You don't really know who you're going to fall in love with at what time in their life. They can be the worst off they've ever been in their life, but you can't help who you fall in love with. That's part of the excitement of life - new people, new experiences.

I would always rather do a mediocre script with a great filmmaker than a great script with a mediocre filmmaker.

I was always in and out of school. What I learned in high school is that female friendships are so much more important than worrying about having a boyfriend or looking good or things like that. I had such a good girlfriend growing up that we didn't need anything. We had such a creative world of our own imagination together. For me, if I have a child, I would say, "I hope you find a best friend that makes it so you don't really need much but each other." Learning about that type of friendship and trust is one of the best things I ever got out of school.