I'm so not a performer, my drive to do [acting] is so different to other people - and I'm not discrediting that, they're born performers, they're people that you love to watch just be themselves. I like to be a little bit more in control. I like to make something.

And I like to keep whatever is mine remaining that way. It's a funny little game to play and it's a slippery slope. I always say to myself I'm never going to give anything away because there's never any point or benefit for me.

Just don't hold back. Don't be afraid to make mistakes and stuff.

I'm now in my mid-thirties, so I look in the mirror and my face is changing, and I have a different relationship all of a sudden with myself. Your face changes, things change - that's just kind of what happens. It's hard, though, in this industry, because I think so much importance is put on how you look, and I'm not brave enough to be like, "You know what? I'm just going to let it happen. Whatever. I'm so cool with every line on my face."

It's weird talking about projects as an actor because you're so in them. I would prefer to write a paper and deliver it to everyone via e-mail.

When you love something, you get to know it. Then you feel the ownership and if it changes, you only love it as far as you know it because then you're like, "What is this?"

Adoption was something that was always under my skin, that I knew would be a part of my life, and, when I decided to start filing, it was very clear. It was like I knew that this was exactly what it needed to be. So then you go through the process, and it's tough. It's not the easiest process - and then again, I've never liked things too easy in life. But it emotionally knocks you out.