When I'm about to blow the candles on my birthday cake and everybody is telling me I must make a wish, I just go into a tailspin. I'm thinking: what do I wish?, and I just can't seem to think about anything. Then I close my eyes, take a deep breath and there comes my wish. I don't know how to explain what goes on inside of me, but that's what happens: breathing is the key to understand what's really important to me.

In personal conversations between director and actor, the male directors that I've worked with are just as emotional. Maybe it's because I had to start having very intimate conversations with adult men at a very young age in order to get the work, but I'm really comfortable with dudes. I mean, we push boundaries in this business in terms of getting to know people.

I think there were moments on Snow White where I wished there was a little bit more of a sick humor toward Ravenna. But maybe the tone of the movie couldn't really support that. So you always have to kind of figure out where you are and adapt to it.

There's no way to be prepared for a conversation with someone you don't know about something that means the world to you.

When actresses play actresses, or actors play actors, they have to find another level.

All I try to do in the press is to be honest about something that I really care about.

There's no reason to regret anything. Regret is a waste.