Literally, these [heels] slow you down.

Actors can be very precious about their work and their scenes, but I think good actors have a strong understanding of narrative and are very often not as precious about that stuff. They just can't be because they understand what makes for a better film, and that it's the job of the actor to work toward that, and then if you want you can go to acting class or workshops. But making movies is not workshops.

There's an idea about who I am that's eternally projected onto me, and then I almost feel like I have to fulfill that role. Even when things come out of my mouth, I want to be sure I'm saying exactly what I mean.

Acting was my classroom in many ways and I always believed and I still do that acting is not just about pretending to be someone else, it's also about discovering yourself and reaching deeper inside yourself.

Actors walk around wearing these little tool-belts of acting skills. And I just don't find that interesting to watch. I never want to see someone who clearly can cry at the drop of a hat. That's so uninteresting.

It took me a long time to realise that I was a girl as a teenager. At that point I never really believed it. I looked like a boy for a long time. Now, finally, I feel like a woman.

I put a lot of weight in what I do, and you and I can talk to each other in a certain way because that's how people interact, but I don't really know how to talk to the entire world.