I'll know when a song's really awesome, for sure, and I get super stoked and I'm so high when I'm hearing it back, but then you sit with the record forever. You're mixing it and you can really just over-think everything. I'll go back and forth all the time.

I use a lot of humor in my writing. But it's completely black humor.

I guess some people like to just stick with their sound, like Weezer or something, but I think I just try to keep it as close to my real life, in a Neil Young sort of way, as possible.

Maybe I'm biased because I'm from there. It's close enough to New York but it's not swallowed up by New York's hustle and bustle. Philly's busy enough. There are tons of record stores and record-head friends and plenty of D.I.Y. shows. It's a place where people pass through and bands don't usually skip on tour. There are lots of music resources but it's not too over the top.

I'd go to a more civil party just to socialize, and I didn't know what to do with myself. So I drank a shot of tequila. And then I drank another one. I probably had four or five shots. I was like, "Tequila! It wakes you right up!" But no.

There were a few verses that I wrote literally on the spot. But the concept was there. It's about being in your own world musically and waking up in the morning and walking outside and being consumed by everything around you. Just being aware of the good things in art and music and life. It's also about how the world is at a boiling point, in a way.

I know most of my records are real good but I know that there are definitely things I would've changed at the end of the day. I work on things forever, and there are things I wish I didn't do, but ultimately I know the records are good. I kind of let go of big expectations, maybe because hopefully that means if I don't have them, that it'll do really well, but you just never know.