The feeling persists that no one can simultaneously be a respectable writer and understand how a refrigerator works, just as no gentleman wears a brown suit in the city. Colleges may be to blame. English majors are encouraged, I know, to hate chemistry and physics, and to be proud because they are not dull and creepy and humorless and war-oriented like the engineers across the quad. And our most impressive critics have commonly been such English majors, and they are squeamish about technology to this very day. So it is natural for them to despise science fiction.

The worst thing about film, from my point of view, is that it cripples illusions which I have encouraged people to create in their heads. Film doesn't create illusion. It makes them impossible. It is a bullying form of reality, like the model rooms in the furniture department of Bloomingdale's.

She believed, and was entitled to believe, I must say, that all human beings were evil by nature, whether tormentors or victims, or idle standers-by. They could only create meaningless tragedies, she said, since they weren't nearly intelligent enough to accomplish all the good they were meant to do.

I urge you to please notice when you are happy.

I have this disease late at night sometimes, involving alcohol and the telephone. I get drunk, and I drive my wife away with a breath like mustard gas and roses. And then, speaking gravely and elegantly into the telephone, I ask the telephone operators to connect me with this friend or that one, from whom I have not heard in years.

You can only be funny if you have matters of great importance on your mind.

Sing in the shower. Dance to the radio. Tell stories. Write a poem to a friend, even a lousy poem. Do it as well as you possibly can. You will get an enormous reward. You will have created something.