I am simply impressed by the unexpected insights which shower down on me when my job is to imagine, as contrasted with the woodenly familiar ideas which clutter my desk when my job is to tell the truth.

During the Vietnam War, which lasted longer than any war we've ever been in - and which we lost - every respectable artist in this country was against the war. It was like a laser beam. We were all aimed in the same direction. The power of this weapon turns out to be that of a custard pie dropped from a stepladder six feet high.

It's only recently that I've come to understand that writers are not marginal to our society, that they, in fact, do all our thinking for us, that we are writing myths and our myths are believed, and that old myths are believed until someone writes a new one.

After the First World War, Germany was trying to build a democracy. Then when the Reichstag, the legislature, was burned down in 1933, this was seen as such an emergency that human rights had to be suspended. The attack on the World Trade Towers has allowed Bush and his gang to do anything. What are we to do now? I say when there's a code red, we should all run around like chickens with our heads cut off. I don't feel that we are in any great danger.

America is the wealthiest nation on Earth, but its people are mainly poor, and poor Americans are urged to hate themselves.

Much of the blame is the malarkey that artists have created to glorify war, which as we all know, is nonsense, and a good deal worse than that — romantic pictures of battle, and of the dead and men in uniform and all that. And I did not want to have that story told again.

What made marriage so difficult back then was yet again that instigator of so many other sorts of heartbreak: the oversize brain.