Usually the male control and domination that tends to be in our genes gets around a powerful woman who has the ability to make choices different from guys, it throws you off and you get frustrated.

When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.

If I would had been born years earlier, I would have been in all the Westerns. It's just the way that the industry goes. But now, we are in an age of a lot of different kinds of fears, and you have the science fiction and horror genres doing our morality plays the same way that they would have done in Westerns. I absolutely accept it. In every respect, fantasy is like doing abstract paintings.

The only one that I think I could beat, if my life depended on it, would be the Predator. If it was in my territory, in my domain, with the guns that I've got, I think I could hurt him pretty bad. That's the only one, though. When you get into metaphysical creatures, they don't play fair.

There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.

Im a good guy. I love playing bad guys, but good guys that have a good thing going on, I like that, too. I dont like passive good guys.

In the late 1960s, I ended up in Telluride, Colorado. It wasnt like the country club that it is now. It was very raw. Skiing was there, but snowboarders have now entirely overrun it.