When you think of all the things that have happened, since that problem with computers in 2000 and everybody was afraid and they were buying water, imagine what Millennium would do with all the things that are going on in the world right now. It has the capacity to be a movie. But, anyway, I loved doing it. It changed my life because the guy that I was playing was so much more educated and smarter than I was, so I had to live up to it.

The only one that I think I could beat, if my life depended on it, would be the Predator. If it was in my territory, in my domain, with the guns that I've got, I think I could hurt him pretty bad. That's the only one, though. When you get into metaphysical creatures, they don't play fair.

I'm pretty slapstick in my life but nobody sees that. You get typecast. I'm from New York and I have a sh*t-detector that's outspoken. I'm very streetwise and the producers detect that. So they get me on a movie and kill me. I go into their offices and I'm sure when I leave they say, 'You know, he'd be great to kill'. I've been killed every way you can imagine.

My whole childhood, that made my skin curl. I was looking for something authentic. I think that drove me into the arts, I really do. That really did it. The only other thing that made me survive, as a human being, was getting into the arts. I was surrounded by people that were very bright and they invited you in. They were gracious. So, it gave me a great education.

In every respect, fantasy is like doing abstract paintings.

I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.

I'm not Tom Cruise. I don't have to look that good. I'm always going to have a problem because I'm thought of as someone edgy, but I'm not. I'm a cupcake.