I might go visit it one day, but I couldn't do any more than just visit. I love it, don't get me wrong, but it's just too big. I'm going to be at a lot of other conventions this year, with the book and everything.

My feeling about all films and all television is that it's an adventure. That's the way I have to look at it. Because you don't know what the climate of the circumstance is going to be. It could be very good. It could be very mediocre. It could be very bad. You don't know. But I've been doing it long enough now to know that it's an adventure. That's what it's all about.

It's always the last one because it's so present in your body. I liked Scream of the Banshee because it was a real challenge. I thought, "How am I going to pull off this character?" But, I also thought, "Oh, man, I'm going to go for it." He's got all the defects of character that an actor loves to play. So, I had a really great time.

When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.

There are so many varieties of films. You've got the jet-lagged films, where you fly to Bulgaria or wherever and get off the plane, and they bring you right to the set, and you start working, even though I don't even know my name, it's been such a long flight. Then there's the alimony films. But after you've been doing this long enough, you've gotten into every kind of situation you can imagine, even to the point where there is basically no script, so you have to kind of do it scene by scene and survive.

There's nothing more terrifying than an actor who comes with an idea.

I have a lot of stories. I had done a thing called Nightmare in Red White and Blue, which was an anthology of horror films. I narrated it with a man named Joe Maddrey, who's a writer. He came to my house and said, "Lance would you consider doing this?," and I like Joe so much that I completely relaxed.