The actors are telling the truth on some level, and people have to believe it. At Cannes, a lot of people said, "Oh, shocking," but this Italian girl said to me, "My god, I just said that to my boyfriend the other night." That's what Lula from Wild at hearts talks about. That's life - to turn each other on, to feel good, to feel in love.

What about good small roles for women? I've told my agent, if there are two great scenes in a film, I don't care, if it's something with that great edge to it.

The only thing that I can personally turn to is compassion, gentleness, a willingness to allow myself to be angry instead of like why am I so angry. It's so embarrassing. I've got to let this go. I'm not going to be a good person if I walk around angry like this.

I love comedy. David's Lynch the only person I've worked with more than once who sees me as a specific thing - he sees me as the sexy bimbo, in ways, and he also sees me as Lucille Ball. Actually, Nick Cage and I did Lucy and Ricky in two scenes in Wild at heart that were cut because the movie was four hours long.

I made a commitment to myself: that I wanted to be an actress, and I wanted to do films that make a difference. Whether it makes someone laugh, or it has a moral to the story - it doesn't have to be an ethical film, but it has to move people. If it doesn't excite me, it's not worth doing - it's better to work on myself and my own life and wait until another great thing comes along.

Obviously, the urge to molest children comes from some experience the person has had as a child, and he or she never worked it out. Watching Raymond Buckey describe how he loved working with the kids, I could sense this 11-year-old who'd stopped and never grown further on a sexual level.

I don't care, but I don't get bitter about anything as long as I can work and do the things I love. And it would be a beautiful world if those things I love and that mean something could remain as they are.