Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.

Courtroom dramas can be boring.

When you tell people, your world changes, your identity changes and people treat you differently. And then, not only do you have to deal with your own emotional response to what's going on, but you take on everybody else's emotional response.

I love working closely with people.

I know what people want to hear is the connection with the son, Roger, when you have a child. I would love to tell that there was an epiphany as to what it is to be a mom, but I didn't feel any difference there.

There's something grueling but very appealing about rough, to-the-bone material in a low budget context. There's less between you and the material. There are less people. There is less time. There's often less technology. You have to concentrate very intensely, and you jump in a little deeper because there's nothing in your way... but there are challenges.

Things get complicated at times, so there are certainly moments when you wish your life were different. That's true for everybody, not just people in our profession. But there's nothing I feel like I gave up professionally. I'm absolutely doing what I enjoy.