Most scripts are written to be green lit. They're not written to be acted. And a lot of writers with the greatest intention in the world don't write for actors. They don't understand the architecture of what an actor needs to get from point A to point B.

I don't mind aging. I mean, my whole thing is, it's just a privilege to age.

Fear, anxiety and neurosis: that's just in the suitcase when you're an actor.

Things get complicated at times, so there are certainly moments when you wish your life were different. That's true for everybody, not just people in our profession. But there's nothing I feel like I gave up professionally. I'm absolutely doing what I enjoy.

When you're dying, you're liberated to do what you want to do. You give yourself permission. I think everyone's experience with a terminal disease is so deeply personal and unique to the person, the context in which they're living and the relationships that they have.

I know that actors and actresses have a great reputation for being very, very selfish, and in some cases, that's very true. But in the theater I find it doesn't help you to be selfish. You sort of have to be selfless in the theater, and the more selfless you are - that doesn't mean don't take care of yourself - but the more you sort of surrender to the work, I find, the better the work is. That's just my experience.

My parents were divorced and I would spend weekends with my father.