I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

I think it's a really good thing to put yourself in a situation where you feel really uncomfortable because I think things can come out of that discomfort.

Well, my intention is to make work about being uncomfortable. About being in a world that isn't always the world you want to be part of. I talk a lot about the free fall, the moment in the scene where gravity takes over, and the beautiful awkwardness when gravity wins. Gravity is hilarious. Gravity always wins.

Every time I hear that somebody died I think of their body, on a steel table in a morgue somewhere. I think of how they can do nothing about it.

People want movies to be one thing or another; they want it be fact or fiction.

Heartbreak is when you're just far enough away from what you desire that you can feel it. Change is the Pangaea moment. I feel like I'm at this point in my life where I have created this place, this island in the ocean, and I'm happy there.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.