Polaroid, you know, goes against everything that photography is now. You can't make multiples. Only one exists. I love that. By the way, while we've been talking I've now seen a total of three people I know walking on 8th street.

I'm interested in that hybrid - the place between the real world and my imagination. There's a friction that's created between the things we imagine and the things that exist.

I believe photography is about choosing to live, being brave. Looking is an act of courage. It's terrifying. It's possible to see too much, to witness things that we cannot hold.

It's always a problem - you've got to figure out a place to put your body. You've got to wake up in the morning and deal with the fact that you have this body to lug around.

I think it's a really good idea to be bumping into all kinds of people in all kinds of ways. So you make art with strangers. You give a reading. You move somewhere new and try to build a life. You grapple with humanity.

Sometimes it's good to get mad, sometimes it clarifies where we stand. I think that art has the ability to challenge and push, and that's great. That's better than great... it's necessary.

I'm more interested in the idea of role-playing in general than the idea of role-playing in art. I like the childlike quality of making pretend or the optimistic idea of pretending something's happening when it's not.