I think we're put out into the world to forge relationships with people. Those can be as small as buying coffee from someone or as large as a marriage. The important thing is that we try to make connections or have experiences with other humans. Otherwise what's the point of being on this earth?

If you can see a thing you don't have anymore it's very heartbreaking. To hold onto things longer than we actually can hold onto them is a desire. Writers and artists are trying to record these things they can no longer have. We're a heartbroken lot. Taking pictures is a brave act in which you try to explain and remember a thing you can't have anymore.

As people who make things, we have the ability to think of the most vile, awful things we can imagine, but it doesn't mean we believe those things. I allow myself to go places in my videos that I would never go in my real life.And I think that there has to be that place where you can create and not have to be living it in real life.

I shot my undergraduate work on 35mm. I love the way it looks, but I haven't shot film in a while. If you can avoid scanning, it makes your practice faster. Oh, and I shoot a lot of Polaroid, too. I have about five hundred Polaroids from my film that I hope to show soon.

Also, I'm drawn to moments of ambiguity, when things could go right or they could go wrong. I'm interested in discomfort. Discomfort is a place where we're still close enough to comfort to understand our unhappiness. Most of the things we desire are things that can destroy us.

The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.

What I love about photography is that nothing is really as it seems.