Finishing books - and leaving the world you've created - is always a kind of emotionally wrenching experience. I usually cry.

When I’m running, there’s always this split second when the pain is ripping through me and I can hardly breathe and all I see is color and blur—and in that split second, right as the pain crests, and becomes too much, and there’s a whiteness going through me, I see something to my left, a flicker of color […]—and I know then, too, that if I only turn my head he’ll be there, laughing, watching me, and holding out his arms. I don’t ever turn my head to look, of course. But one day I will. One day I will, and he’ll be back, and everything will be okay. And until then: I run.

Additionally, Liesl and Po is the embodiment of what writing has always been for me at its purest and most basic--not a paycheck, certainly; not an idea, even; and not an escape. Actually, it is the opposite of an escape; it is a way back in, a way to enter and make sense of a world that occasionally seems harsh and terrible and mystifying. (From the "Author's Note" at the end).

A string of bright white buildinh, glistening like teeth over the slurping mouth of the ocean.

For all the people who have infected me with amor deliria nervosa in the past - you know who you are. For the people who will infect me in the future - I can't wait to see who you'll be. And in both cases: Thank you.

Hate isn’t the most dangerous thing, he’d said. Indifference is.

You see, we didn't know.