Think about it: you've already related it down to something that somebody else can understand. If art relates to something - it's like Picasso, it's like Mondrian - it's not. Art's supposed to be what it is. Using a reference of art history might help for some kind of sales, but it doesn't really help anybody. Art is what it is; it cannot be footnoted, until it enters the world. Then it has a history. Then the footnotes are the history, not the explanation.

All art is made from anger.

The art schools seem to be trying to turn people out as "professional." But I don't know what the word "professional" means any longer. "Professional" would be somebody who was trying to push painting to a point that nobody else could do as well as he could. That would be my ideal professional.

I'm not against art fairs, in fact this last one I even made money, but the concept is really disgusting. If you're that rich to be able to hang out for two or three days, you're certainly rich enough to get on a plane and go to Munich or Düsseldorf or wherever and see somebody's real show instead of this stuff just stacked around.

I'm keeping everything on a human level, but essentially everything in our lives has to be on a human level. Any specification of something by art history doesn't make any sense. The point is, if you have a loving, adorable, supportive mother anywhere in the world and you tell her all of your dreams, all of your aspirations, and the reward you would like, and she understands you, then it's not worth doing.

Once you know about a work of mine you own it. There's no way I can climb inside somebody's head and remove it.

In my eyes, making art is very often about something that you don't know.