When I'm writing about complicated subjects, it usually involves a world. It could be the world of Scientology or the world of Al Qaeda, or the world of counter-terrorism.I look for emblematic beasts of burden - what I call "donkeys" - who can carry the reader through this world. They serve a different purpose. Donkeys are not especially interesting or likeable, but they are serviceable. They will take you into this world. The distinction I'm trying to make is: It's not about them. It's about the world.

From the very beginning, when you go into Scientology your world narrows down very quickly.

You can't tell a story linearly if you want people to understand.

I grew up in the American South, the segregated South. Now we have a black man who is president. It was an age of apartheid, and now that's over. It was an age of two superpowers frozen in a cold war, and now that's resolved. So history marches on, except for this Arab-Israel conflict, which seems to have a claim on being eternal.

If we're talking about Sinai, we can't understand it without the 1967 and 1973 wars, and you can't understand it without the biblical story of Moses leading his people through the wilderness. These are essential elements in the modern conversation about what's going on in the Middle East that seem to have been lost.

Chronology can be dangerous. You can get so linear that it becomes robotic for the reader.

IRS is very poorly equipped to make a distinction between what is a religion and what is not.