I'm the most low-maintenance person on the road.

So you do shorter versions of the hits, or you take out a long guitar solo or things like that to make time for the hits and new music as well. But I don't think any of us ever get to do as much new music as we would like to.

A lot of times in this business, we are taking advantage of hot times in our career to do a lot of TV and a lot of radio and that sort of thing, and George is able to be so humble that he can get away with not doing those things.

You know, you want everything you do, obviously, to be a success critically and commercially. But what you find out as you go along is that everything won't.

I'm not afraid to go out on a limb, style-wise or with lyrics. I don't ever want to be afraid to cut those types of songs because radio might not play it.

It takes so many people to make a success story like that. It starts with the song and the songwriters, then Mark Wright's producing, all of the players that played on it, me singing, the marketing department, the promotion department at the label... It takes a lot of people to make a hit like that.

Nominations come and go. It is not going to happen to you every year, and I am very well aware of that