I started writing plays, but the fact that plays don't last forever was too much for me to bear.

Like Summer Sisters comforted me just because I was like, okay things I've seen with my own eyes are not so terrible, and even though I knew adult gay people and had absolutely no issue with it. And I just couldn't articulate what made me so uncomfortable about the space that I shared with my friends becoming a sexual space. And it was very healing for me to read that, and feel like it was a part of other friendships, even fictional friendships I admire.

I'm really lucky because I surround myself onset with people who I really trust to give me feedback, so I'm directing myself.

My parents are artists; in their world, in the world of modern artists, you are supposed to just go into your studio and tune everything out, and your entire relationship with your work is supposed to be a super private one. That was the way to do it and you weren't deeply truly artistic if that wasn't the way you were engaging the press.

I think women are conditioned to stand by their man and watch them make it to the top, but most men never believe the person they get into a relationship with is going to rise any higher than she was when they met. It takes a very special, evolved person to be able to deal with change within a relationship.

I don't feel like my work is dependent on my size. I feel like my work is dependent on the fact that I'm an everywoman. I'd be an everywoman if I lost 20 pounds or if I gained 50 pounds, because of my attitude and it's my relationship to the world and the fact that like I have two front teeth that are bigger than the rest of my teeth.

If you're writing, you're starting in private. It can really be this amazing, private, freeing experience. Forget that it's for other people - that comes in later.