When we, as young women, are given the space to read, the act becomes a happy, private corner we can return to for the rest of our lives. We develop this love of reading by turning to stories that speak to the most special, secret parts of us.

I'm not jealous in traditional ways - of boyfriends or babies or bank accounts - but I do covet other women's styles of being.

I seriously consider television to be the people's medium. Like the idea of seeing your parents naked or having somebody go down on you and worrying about whether you smell, or worrying about whether your body is weird or what goes across the face of a person who's supposed to be experiencing pleasure but isn't - those are things I'd love to normalize on TV.

I'm really lucky because I surround myself onset with people who I really trust to give me feedback, so I'm directing myself.

I just don't want to be around people who don't hate everything in their life right now.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

Hell hath no fury like a woman who has accidentally napped.