It's very easy for me to say what success is. I think success is connecting with an audience who understands you and having a dialogue with them. I think success is continuing to push yourself forward creatively and not sort of becoming a caricature of yourself.

When you're writing a script you have the option to embellish on life or switch the order of events or make it generally more cinematic. I would stick too closely to my own experience and not necessarily think about the fact that it needs to have an event happen. Realising that I could channel my own experience into a story that was slightly more cinematic was a very important moment for me - allowing myself to accept that the kind of screenwriting I'm doing is a work of fiction.

I've always been someone in [childhood] period of my life sort of the pains and anxieties of being young are the things that have really stuck with me.

None of my actions have ever sort of been motored by the search for a husband or wondering if I was going to have a family someday or wanting to live in a really great house or thinking it would be really great to have a diamond.

At a brunch potluck, I realize that I do, in fact, hate everybody.

I just hope that I continue to keep a line between my private life and who I play, even if they are closely intertwined, and so I'm careful. I don't even know where my line is, but I know I have a line.

Directing is about as visual as I get and I will leave artmaking to the rest of the family.