I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.

Choosing a role is very difficult. There's no way to have a strategy.

I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.

To be a good actor, you have to be very smart. But to be a great actor, you also have to have a streak of, 'I'm an idiot, a complete lunatic.'

Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.

Everyone is complicated one way or another. But it's interesting to dig into a complicated character, to try to find that within yourself.

I'm not regimented. I don't diet, and I exercise the way I want to.