I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.

My favorite thing to do is eat and eat well.

I use myself for each part. Naturally, it's my body, it's my soul, it's my feelings. That's the only way I know how to work. I couldn't pretend.

I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.

I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.

Everyone is complicated one way or another. But it's interesting to dig into a complicated character, to try to find that within yourself.

Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.