Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.

Every time I get a script it's a matter of trying to know what I could do with it. I see colors, imagery. It has to have a smell. It's like falling in love. You can't give a reason why.

Choosing a role is very difficult. There's no way to have a strategy.

I love the camera; there's something very special and sensual about it, and I have a tendency to call it a he, like it was a man. But, unlike a man, a camera is accepting of everything I do.

I always sort of create practical problems so that I don't have to see a film I've just done. I'm too vulnerable, too fragile. People see your work, and there's nothing you can do. You're completely exposed.

My favorite thing to do is eat and eat well.

I use myself for each part. Naturally, it's my body, it's my soul, it's my feelings. That's the only way I know how to work. I couldn't pretend.