Logic is the beginning of wisdom, not the end.

Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.

In general, we are sort of conditioned to see a different body type as acceptable and maybe look away when the other body type arrives.

That is the exploration that awaits you! Not mapping stars and studying nebula, but charting the unknown possibilities of existence.

A neighborhood friend showed me how it was possible to go to a camera shop and pick up chemicals for pennies... literally... and develop your own film and make prints.

After a time, you may find that having is not so pleasing a thing after all as wanting. It is not logical, but is often true.

Boston was a great city to grow up in, and it probably still is. We were surrounded by two very important elements: academia and the arts. I was surrounded by theater, music, dance, museums. And I learned how to sail on the Charles River. So I had a great childhood in Boston. It was wonderful.