I did not move into developing or processing color. I stayed with black and white. I still think to this day that I prefer to work in black and white if it has to do with poetry or anything other than specific reality. I have worked in color when I thought it was the appropriate way to express the thought that I was working on

The book tour has been really interesting and very gratifying. I have not book toured before. I've never had quite as much pleasure, as much satisfaction.

Years ago - in the 70s, for about a decade - I carried a camera every place I went. And I shot a lot of pictures that were still life and landscape, using available light.

Curious how often you Humans manage to obtain that which you do not want.

What mark will I leave behind? How will anyone know I have been here? What sign will tell the future traveler I existed? 'I am here! Today... I exist'. I believe the deepest impression is made in those moments when I can say 'I care, I love'.

When you let me take I'm grateful. When you let me give I'm blessed.

For a period of time, I carried cameras with me wherever I went, and then I realized that my interest in photography was turning toward the conceptual. So I wasn't carrying around cameras shooting stuff, I was developing concepts about what I wanted to shoot. And then I'd get the camera angle and do the job