Construed as a means instead of an end, history is the weapon with which we defend the future against the past.

A certain kind of rich man afflicted with the symptoms of moral dandyism sooner or later comes to the conclusion that it isn't enough merely to make money. He feels obliged to hold views, to espouse causes and elect Presidents, to explain to a trembling world how and why the world went wrong.

To the United States the Third World often takes the form of a black woman who has been made pregnant in a moment of passion and who shows up one day in the reception room on the forty-ninth floor threatening to make a scene. The lawyers pay the woman off; sometimes uniformed guards accompany her to the elevators.

Nobody suffers the pain of birth or the anguish of loving a child in order for presidents to make wars, for governments to feed on the substance of their people, for insurance companies to cheat the young and rob the old.

Unlike any other business in the United States, sports must preserve an illusion of perfect innocence. The mounting of this illusion defines the purpose and accounts for the immense wealth of American sports. It is the ceremony of innocence that the fans pay to see - not the game or the match or the bout, but the ritual portrayal of a world in which time stops and all hope remains plausible, in which everybody present can recover the blameless expectations of a child, where the forces of light always triumph over the powers of darkness.

[For American consumer society], the country's reserves of ignorance constitute a natural resource as precious as the Mississippi River or the long-lost herds of buffalo.

The figure of the enthusiast who has just discovered jogging or a new way to fix tofu can be said to stand or, more accurately, to tremble on the threshold of conversion, as the representative American