The need to make music, and to listen to it, is universally expressed by human beings. I cannot imagine, even in our most primitive times, the emergence of talented painters to make cave paintings without there having been, near at hand, equally creative people making song. It is, like speech, a dominant aspect of human biology.

We are at our human finest, dancing with our minds, when there are more choices than two. Sometimes there are ten, even twenty different ways to go, all but one bound to be wrong, and the richness of the selection in such situations can lift us onto totally new ground.

We habitually engage in meddling with nature. Until this century most of this meddling was good. Witness the preservation of the European countryside. But since then we've smoked it up and littered it and dumped too much in too many waters. I don't think it's our privilege to behave this way.

The greatest achievements in the science of this [twentieth] century are themselves the sources of more puzzlement than human beings have ever experienced. Indeed, it is likely that the twentieth century will be looked back at as the time when science provided the first close glimpse of the profundity of human ignorance. We have not reached solutions; we have only begun to discover how to ask questions.

It is in our collective behavior that we are most mysterious.

Any species capable of producing, at this earliest, juvenile stage of its development... the music of Johann Sebastian Bach, cannot be all bad.

The body of science is not, as it is sometimes thought, a huge coherent mass of facts, neatly arranged in sequence, each one attached to the next by a logical string. In truth, whenever we discover a new fact it involves the elimination of old ones. We are always, as it turns out, fundamentally in error.