It also signals to me, when I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes.

When I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes. Then when I put it on the computer, a different part of my brain kicks in and I really evaluate every single word and sentence and make decisions. I like that step of polishing while I'm rewriting the entire thing, not just cutting and pasting. Really putting in every word and making a decision: is this something I can stand by?

I definitely feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard.

I love this idea of trying to create that intellectual eroticism. That was what I was working toward all along.

Anthropological fieldwork is so much like writing a novel. Granted, you don't have the physical disruption and disorientation, but writing a novel is like entering a new culture. You don't know what the hell is going on. And every day you feel like you have nothing, you're going nowhere. Or you feel that first it's going somewhere, but then you get into that horrible middle part.

When you have people who get angry quickly, you have to learn the rules to avoid being in that situation.

I had one family that used a lot of yelling and screaming, and that was very normal. Another side of my family, nobody would raise their voice at all.