Ever since high school I've been writing in a spiral notebook, in pencil. Everything looks too polished on a computer when you start writing, and I can't really see it. I feel like the words are much more naked in pencil, on a notebook. I feel that my brain works differently, and words come out differently, if I have a pencil in my hand, rather than if I have a keyboard. I tend to add more in the margins. I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.

I tend to elongate the sentences as I'm writing and editing, and there is just something about the feeling of writing longhand that I really love.

To go back to my childhood, I experienced lots of different family cultures, all the while feeling like none of them were mine.

I love this idea of trying to create that intellectual eroticism. That was what I was working toward all along.

When you have people who get angry quickly, you have to learn the rules to avoid being in that situation.

I always had this put-together family, and I always identified as the outsider. And that's a position where I feel most comfortable, and yet I feel an incredible longing to belong. That is really a strong feeling from my childhood - a desire to be part of a group.

It also signals to me, when I pick up a pencil, that this is a rough draft. This is not going anywhere, and no one's going to see it. You have permission to make all the mistakes you want. It signals freedom to me, and it signals mistakes.