I think every script I read has something that sends me into a state of panic but that usually makes me want to do it.

Theresa Rebeck's writing is so scarily funny. I just love how unapologetic she is with her writing: she doesn't try to make her characters likeable or heroic, she just really makes them human. Hopefully, the audience is able to love them in the end - or have whatever feelings that they want to have about all of them - but I love that she doesn't have that agenda. That is something that, as an actress, was really appealing to me; to just get to be in this group of people who are complicated and very human.

Before I ever start a job that I'm really excited about, I usually have some sleepless nights or weeks or months. But that anticipation for a person like me... I don't do so well with a lot of time off.

Truthfully, I don't know how those special effects people do it.

Sometimes I would go home from work and just stare at the wall for a couple of hours. But, I can't complain. Whatever knocks you out working is the kind of work that I want to be doing because it's always those challenges that are the most exciting, and the things I hope to get to keep doing in my work.

When I was in high school and college, my other real focus was, actually, fiction writing. So in college, I had done all these seminars with these various writers-in-residence.

I had never done a 90-minute play with no intermission, so it is a bit like you get onto the train and you don't get off until it's over - and it's over very quickly, so don't miss a moment of it. That experience is very rare and specific so don't miss a minute, because there aren't very many minutes of it.