I consider myself a realist who wants to stand up for women's voices, not when they try to be the same, but when they stand up for who we are and what we see and how important it is that our voice is heard.

I had the advantage, that I know Swedish. So I had the Swedish book and I had a lot of English translations, and German translations, and I did everything to make the best English translation of August Strindberg's Miss Julie I could. And then, there I went. "Oh! I think she's thinking this, but I think she should say it!" And so on. It's wonderful to do that.

Yeah, unfortunately [ films like Miss Julie are a dying breed]. And that is sad, because we need these. Like we need books, we need classical music, we need ballet, we need opera, to remind us really of who we are and why we are, and we need in movie houses - even to be in a movie - where you sit and see not only excitement and man-hero, woman-hero, you need quietly, just like that Hawking movie we talked about, to know how people overcome.

Colin [Farrell] I talked to several times on the phone, and I said, remember, we have only twenty-five days of doing the movie [Miss Julie], so you must know some of your text. I was a little un-feminist, I didn't want to say [bossy voice] "learn your text!" But when he came, he knew all his text.

Nothing ever comes to an end. Wherever one has sunk roots that emanate from one's best or truest self, one will always find a home.

I have the experience of age and suffering.

It is only the untalented director who imagines him or herself in every part, wants his or her own thoughts and emotions portrayed; it is only the untalented who make their own limitations those of the actors as well.