I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.

I wanted to see myself as something different, and I wanted to convince people that I was capable of something other than what they would expect from me.

I feel more confident in being able to be funny if I'm comfortable with the people I'm around. When you're friends with them, it just makes it all the better. Plus, shooting a movie, you're sitting on your ass for hours at a time, so if you have somebody there to mess around with and have fun, then it's great.

I think if a girl who liked 'Party Down' found out that her boyfriend liked 'Two and a Half Men,' she would break up with him.

I think there's something very lovely and hilarious about exploring the particular neuroses of the female mind. It's just not the same thing with men. I mean, there are exceptions, but for the most part, women beat themselves up in their heads more. They overanalyze stuff far more than men do.

I try to bring elements of my own personality to every character I've played, but I think I'm pretty similar to the character I'm playing now. The biggest departure would have to have been Freaks' and Geeks Sara, who was this sort of subordinate and shy girl.

If you're raised in a household where questions are encouraged, you're the minority. It's sad. One of the things that has resonated the most for me is that, in the '50s, if your sex life was unfulfilling, it was your fault, as a woman. It was never the man's fault. Millions of women thought they were working with faulty equipment. If they couldn't have orgasms from having sex with their husbands, then they were broken. That's insane, and everybody believed it.