I find that working with friends is always the goal, even if its just one person. Because the comedy community is kind of insular, its easy to run into people youve worked with, even if you worked with someone on something for a day, or whatever.

When you're shooting a network television show it inevitably starts airing a few episodes in, and depending on the ratings and the response from the public, you find yourself tweaking your performance or the scripts go in a different direction.

I've been a feminist since the day I was born. I wanted to play football. I didn't want to play with dolls; I wanted to play with boys and didn't understand why I couldn't.

There's definitely a luxury to the fluidity of not being a mega-star. I've done a ton of really, really odd, off-the-wall movies. There's this movie I did called 'Queens of Country' a couple of summers ago that is so bananas, and if I was at a certain level, I probably would not have done that movie.

I think it's necessary to identify with anything - with any character you play, there's got to be something in common, so you can link up to that person, even if it's like one tiny thing. But it's equally fun to play somebody completely different, and trying to find what that thing is to make it.

I find that working with friends is always the goal, even if it's just one person. Because the comedy community is kind of insular, it's easy to run into people you've worked with, even if you worked with someone on something for a day, or whatever. It just makes it more comfortable.

I really like doing television shows, and I anticipated doing a comedy, because that's the place I feel the most comfortable - those are the risks I want to take. But it was always really hard for me to find a script that I really liked.