You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.

I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.

The idea of working with David Fincher or Paul Thomas Anderson or Wes Anderson or Scorsese or Spielberg or any of the guys I really idolize is a dream for me.

A lot of times I'm on my own trying to find research material and things like that and trying to educate myself on the world and the film that I'm working on.

I just don't want to repeat the same thing over and over again, so I'm always looking for something that's going to be challenging and make me nervous every time I start a project.

The filmmakers that I studied and appreciated growing up are the ones that are able to dictate their vision clearly to each department, and they know the language of how to communicate with each department well enough, so that their vision is clearly transferred to the screen. So I like to spend time on sets learning from all of the departments and seeing how they approach their jobs. It's not just filmmakers, you know? There's so many mediums involved. I love learning about all of the mediums.

My ideal role would be the lead in a film with a director that I really appreciate and admire.