You can't print everything and that's not good for filmmaking, because you wanna have as many options as possible and print as much as you can, but if you're going to shoot a film - an independent movie on film, the only way to really do it is to print your selects.

If I had a script that I was ready to shoot tomorrow, I'd work on it every day until we got into production as soon as possible, but I don't have that script yet, so I'm trying to find and support writers, really young writers and hopefully come across a story that I wanna tell one day.

Jews took it very seriously to marry other Jews and repopulate the Jewish bloodline, and my father's generation gets very serious in my household when they're like, "You have to marry another Jew," because that's still kind of the mentality coming from the baby boomers. So I know that type of pressure.

A lot of times, when I'm approaching pre-production and my job, and trying to research and work on the script and whatnot it's always different.

When I receive a new role, I completely become my character.

When I'm back at home it's just reality. I kind of separate myself from Hollywood.

You would assume that a filmmaker should know how to edit, but pretty much every filmmaker I've worked with doesn't know how to edit.